Monday, December 10, 2012

Tuesday, December 4, 2012

Information Literacy

Information Literacy: a set of abilities requiring individuals to 1 "recognize when information is needed and have the ability to locate, evaluate, and use effectively the needed information. 2 "

The cynical and pretentious literary snob in me wants to push her glasses up the bridge of her nose and primly remark that the definition of information literacy, as defined by the ALA and NFIL, sounds quite like the definition of good thinking.

But, like I said, she's a snob; so let's ignore her, shall we?

To me, information literacy is just a term used to convey the fact that people know how to properly find, analyze, and utilize information in whatever areas their lives may require. From a book editor in New York City to a foot soldier in Afghanistan to a waitress in Nevada, all of those jobs would demand that the people in possession of them should be able to accurately, if not perfectly, know how to exercise their ability to make good decisions, complete assignments correctly and thoroughly, and interpret the information they are presented with accurately in accordance with their job.


References:
1. "Information Literacy Competency Standards for Higher Education." American Library Association. N.p., n.d. Web. 04 Dec. 2012.
2. "What Is the NFIL?" National Forum on Information Literacy RSS. N.p., n.d. Web. 04 Dec. 2012.

Tuesday, November 27, 2012

Revenge

Revenge is a dish best served cold. After being wrongfully accused and imprisoned as a thriving, honest young man, Edmond Dantes slowly evolves and transforms into his titular ego---and he's a man with a plan for action against those who took so much away from him.

The key word to the plot of Monte Cristo: revenge. The Count is driven to enact and deliver vengeance to those who wronged him so terribly, and as a reader I empathize sincerely. There is something inherently satisfactory about seeing the Count execute well-formulated plans to bring those who wronged him so terribly to justice. And that is, I think, what the Count views his revenge as---an enaction of justice, to give those who chose to cause chaos in an innocent's life a taste of their own bitter medicine. After all, "But if there is serious injury, you are to take life for life, eye for eye, tooth for tooth, hand for hand, foot for foot, burn for burn, wound for wound, bruise for bruise (Exodus 21:23-25)." And as citizens of a good justice system and of an inherent sense of right and wrong, we nod our heads vigorously in agreement with Dantes' plans and actions to make those who caused harm answer for what they'd done.

(Plus, we also just like the action and seeing the enemy crushed.)

But then that brings up a rather large question: who are we to execute justice on behalf of divine morality? After all, if the world was really fair and God actually gave every man and woman what he/she deserved, we would literally all go to hell. And if every man really sought to redeem the "eye for an eye" voucher for himself, the world would be in chaos.

If you think about it, we have been given so much grace. Grace is us getting out of bed this morning when we deserve death. Grace is us having families and knowing love when we deserve death. Grace is us being redeemed eternally when we deserve death. Grace has been poured into the very air of our existence and, especially as Christians, woven into the hidden corners of our souls. And I think that fact alone should cause us to sincerely evaluate our approach to vengeance.

If I were ever wrongfully imprisoned and told that I could escape and choose between two lives once I got out; 1) a life spent in careful planning and enacting of satisfying vengeance on those who had wronged me, or 2) a life spent finding another to fall in love with and start a family with and pursue art and music and warm summers with; I think I would chose the second. Because I think that revenge, while instantaneously gratifying, eventually leaves you empty and unfulfilled; whereas investing in finding and treasuring things that make life worth living and enjoying will give you the peace to move forward with your life.

I am a huge fan of ABC's Revenge, a show based on The Count of Monte Cristo that tells that story of a young woman under an alias seeking to avenge her father's wrongful framing by the wealthy in the Hamptons. And while I will absolutely not deny that it is so cool to watch her plans unfold and the people who hurt her father get their due one by one, the most powerful moments on the show are the ones where I see her glimpsing what she could have had if she gave up her revenge (in her case, a childhood love) and remembering what she lost (moments of unmarred joy with her father). My heart always aches the most at those moments, and I think that those who set out on the path of epic revenge like her's and the Count's are some of the loneliest people to walk the earth.

In this past Sunday's episode, one character asked another (in reference to her recent achievement of revenge), "Was it worth it?"

For me, I know that a lifetime of it---and honestly, even a moment of failing to extend the incredible grace I've been given---will never be in the end.


Tuesday, October 30, 2012

Modeling Dumas

I selected this first passage because I love the vivid imagery (and utilization of adjectives) Dumas employs to describe the story.

"The next day was gloriously fine. The sun rose red and resplendent, its first rays tinting the fleecy clouds with many delicate and brilliant hues (Dumas 19)."

  •  "The night was quietly majestic. The moon shone regally and mysteriously, its beams casting clouds into dancing shadows and light-bathed wisps."
  • "The afternoon was horrifically calm. The wind blew its bated breath out gently, trying not to disturb the echoes and remnants of the previous night's dance of death."
  • "The twilight was beautifully mournful. The trees reached for the hidden lovers, their branches embracing and weaving leaves into their fallen footsteps."

I selected this second passage because I like the third person omniscience in which Dumas employs to convey his characters' emotions and motivations.

"Dantes threw himself into the arms of his new friend, for whom he had waited so impatiently and so long, and drew him toward the window that the little light that penetrated into his cell might reveal his features (Dumas 67)."
  • "Claire collapsed on the pebbled shore of the cold lake as her once-dead husband ran toward her, for she could hardly breath from the sorrow and joy constricting her chest."
  • "Penryn walked steadily towards the broken zombie child, dragging her under a tree and covering her with leafy branches, so as not to scare her little sister when she came back from finding berries."
  • "Naughty John hummed softly under his breath as he carefully carved pentagrams into the muddy soil, thinking of how soon his patience would finally pay off."